Guitar Canon videos
50 masterpieces for solo classical guitar
Nr. | Composer | Born-died | Composition | Time | (to be ) recorded by |
---|---|---|---|---|---|
1 | Luys de Narváez | 1510-1555 | Canción del Emperador | 3’20” | |
2 | Luis Milán | 1500-1561 | 6 Pavane | 8’45” | |
3 | Alonso Mudarra | 1508–1580 | Fantasia | 2’00” | |
4 | John Dowland | 1562-1626 | The Frog Galliard | 2’15” | Matthew McAllister |
5 | Gaspar Sanz | 1640-1710 | Canarios | 2’45” | Rick Doornbos |
6 | Robert de Visée | 1655 -1732 | Suite in d minor | 11’00” | Lex Eisenhardt |
7 | Johann Sebastian Bach | 1685-1750 | Chaconne | 13’30” | Raphaella Smits |
8 | Silvius Leopold Weiss | 1687-1750 | Fantasia | 3’00” | |
9 | Domenico Scarlatti | 1685–1757 | Sonata K 208 | 4’15” | Alberto Mesirca |
10 | Mauro Giuliani | 1781-1829 | Grande Ouverture op. 61 | 8’00” | Rolf van Meurs |
11 | Fernando Sor | 1778-1839 | Variations on a theme of Mozart, op.9 | 8’55” | |
12 | Niccolò Paganini | 1782-1840 | Capricci no.24 | 6’56” | |
13 | Dionisio Aguado | 1784-1849 | 3 rondo brilliants pour Guitare seule Op.2 | 8’55” | Kristina O. Varlid |
14 | Johann Kaspar Mertz | 1806-1856 | Elegie | 9’00” | |
15 | Anonymous | – | Romance Anónimo | 2’30” | Goran Krivokapic |
16 | Francisco Tárrega | 1852-1909 | Recuerdos de la Alhambra | 3’33” | Xuefei Yang |
17 | Isaac Albéniz | 1860–1909 | Asturias (Leyenda) | 6’00” | Gabriel Bianco |
18 | Joaquím Malats | 1872–1912 | Serenata Española | 3’51” | |
19 | Enrique Granados | 1867–1916 | Danza Espagnola op.35 No. 5 | 5’05” | |
20 | Antonio José | 1902-1936 | Sonata para Guitarra | 18’30” | |
21 | Miguel Llobet | 1878-1938 | Diez Canciones Populares Catalanas | 10’30” | |
22 | Julio Salvador Sagreras | 1879-1942 | El Colibri | 1’30” | |
23 | Augustín Barrios Mangoré | 1885-1944 | La Catedral | 6’57” | |
24 | Manuel de Falla | 1876-1946 | Homenaje pour le Tombeau de Debussy | 3’30” | Alejandro Aparicio |
25 | João Pernambuco | 1883-1947 | Sons de Carrilhões | 2’30” | Rogerio Bicudo |
26 | Manuel María Ponce | 1882-1948 | Sonatina Meridional | 8’58” | |
27 | Joaquín Turina | 1882-1949 | Sonata Op.61 | 11’15” | Fabian Freesen |
28 | Heitor Villa-Lobos | 1887-1959 | 5 Preludes | 17’00” | Peter Constant |
29 | Francis Poulenc | 1899-1963 | Sarabande | 2’53” | Jorrit Douwes |
30 | Mario Castelnuovo-Tedesco | 1895-1968 | Capriccio Diabolico | 9’47” | |
31 | Frank Martin | 1890-1974 | Quatre Pièces Brèves | 9’30” | Martin van Hees |
32 | Frederico Moreno Torroba | 1891-1982 | Suite Castellana | 10’00” | Enno Voorhorst |
33 | Alexander Tansman | 1897-1986 | Cavatina | 11’30 | |
34 | William Walton | 1902-1983 | Five Bagatelles | 14’15” | |
35 | Joaquín Rodrigo | 1901-1999 | Invocacion y Danza | 7’30” | |
36 | Benjamin Britten | 1913-1976 | Nocturnal | 20’00” | |
37 | Maurice Ohana | 1913-1992 | Tiento | 5’20” | |
38 | Alberto Ginastera | 1916-1983 | Sonata op.47 | 12’18” | Sabrina Vlaskalic |
39 | Antonio Lauro | 1917-1986 | Valses Venezolanos | 11’30” | Frank Lamm |
40 | Astor Piazzolla | 1921-1992 | Cinco Piezas | 21’00” | |
41 | Hans Werner Henze | 1926-2012 | Royal Winter Music | 8’16” | Otto Tolonen |
42 | Toru Takemitsu | 1930-1996 | All in Twilight | 11’25” | |
43 | Leo Brouwer | Born 1939 | El Decameron Negro | 16’00” | |
44 | Carlo Domeniconi | Born 1947 | Koyunbaba | 9’16” | |
45 | Jorge Cardoso | Born 1949 | Milonga | 4’24” | |
46 | Francis Kleynjans | Born 1951 | A l’aube du dernier jour | 7’21” | |
47 | Sergio Assad | Born 1952 | Aquarelle | 13’00” | |
48 | Dušan Bogdanović | Born 1955 | Balkan Miniatures | 8’05” | |
49 | Roland Dyens | 1955 – 2016 | Libra Sonatine | 14’22” | |
50 | Nikita Koshkin | Born 1956 | Usher Waltz | 5’46” | Marion Schaap |
+1 | Joaquín Rodrigo | 1901-1999 | Concierto d’Aranjuez | 22’20” |
Board
Pieter Nanne Groot
As president, programmer and guardian of the objective of Foundation Gitaarsalon Pieter Nanne is directly involved in the development and content of this Platform for the guitar. A guitarist at heart who by its versatility knows how to combine the different style attributes to a beautiful language that’s his own.
A finished Bachelor at the Amsterdam Conservatory, for two years at the Hilversum Conservatory department jazz and improvisation, two years private Flamenco lessons with Eric Vaarzon Morel, one year tango guitar with Kay Sleking and supplemented with various master classes which has made him a guitarist who let the instrument speak for him. (www.pieternanne.nl; www.gitaarsalon.nl)
In addition to his organizational tasks and administrative activities, he is still active as a guitar teacher and performer in different combinations to which recently The Guitar Road show is added.
Z.o.o. guitar duo (Marion Schaap en Peter Constant)
… has been described in Classical Guitar magazine as “premiere league quality”. Comprising the virtuoso talents of Peter Constant (Australian) and Marion Schaap (Dutch), both ‘Master of Music’ graduates of Yale University, the duo has built an international reputation over the past 20 years. Peter and Marion ran the guitar faculties of Melbourne University from 1992-1998, before moving to Holland where they are currently based (Almere). They have performed at countless podia and festivals in Europe, America en Asia, and appear on some 15 CD releases on various labels including Move Records, ABC Classics en Naxos.
The duo ‘Z.o.o.’ are prolific arrangers, from the music of Bach, Scarlatti, Vivaldi through to guiding and encouraging the many composers who have written especially for them. Z.o.o. guitar duo have long been leading exponents of ‘new generation’ guitars, such as luthiers Greg Smallman, Paul Sheridan, Jeroen Hilhorst, Graham Caldersmith. These include a unique collection of ‘guitar family’ instruments, which add new, rich tonal possibilities to the duo’s musical palette.
Peter and Marion are widely known as inspirational work in the field of guitar ensembles. They are the artistic directors of Stichting Gitaarorkest Nederland, and have led both the Netherlands and European Youth Guitar Orchestras with soloists including guitar ‘legend’ Pepe Romero. They have appeared as soloists with JGO Baden-Württenburg (Helmut Oesterreich), the Swiss Guitar Ensemble and various other leading guitar ensembles. Peter en Marion recently led an ensemble of 1,000 guitarists in the Olympic Stadium, Berlin, during the World Culture Festival 2011. Their annual ‘gitaarspektakel’ concerts are an established highlight on the Dutch guitar calendar.
website: zooguitarduo.com
Frank Lamm
As young as 11, Frank started his musical career at the Waalwijkse Muziekschool. His passion: the guitar. After finishing highschool, Frank can finally focus on music fulltime. He continues his studies at the Brabants conservatorium, under the auspices of Hein Sanderink. In 1996, Frank graduates with distinction as a Teacher of Music, a degree that enables him to teach in Drunen’s Music School Aleph today.
In the aftermath of his studies, Frank attends several masterclasses, both in the Netherlands and abroad. Amongst others, he studies with Raphaella Smits (Belgium), David Russell (Scotland), Roberto Aussel (Argentinia) and Laura Young (Canada). In 1998, Frank completed his Master studies. In 1995, Duolisme is born, when Frank and Peter Thissen start their collaboration, travelling across the globe to England, Belgium, Germany, Turkey, Switzerland, Netherlands Antilles, Malaysia and Scotland, where they taught a masterclass at the Music Academy in Glasgow in 2008. Duolisme also performed during the 18th edition of Iserlohn Guitar Symposium in Germany. During this time, Duolisme has recorded four CD’s, each in a distinct and individual style: La Guitarra Poética (2000), Ornamenten (2004), Retratos (2004) Dreams, Rest and Motion (2008), an album containing Latin American music and a Gary Ryan composition, written specifically for this album.
Unfortunately, after fifteen years of fruitful collaboration, health problems have forced Peter Thissen to put an end to his career as a performing guitarist. Consequently, Frank Lamm now performs as a solo artist. Frank recorded two CD ‘s Garoeda (2011) symbolizes his transition from a duo-player to a solo performer and PÄRT II (2014). Recently Frank is also member of The Guitar Road show (2014).
Website: franklamm.nl
Definition Guitar Canon
Guitar Canon gives us the overview in literature for solo guitar. The canon consists of the 50 most influential and iconic works composed for guitar, original, or transcriptions that have proven themselves over time as being standard works for the classic solo repertoire for guitar.
Obviously, this canon is a snapshot from the perspective of the five promoters who have wanted to lay down a basis only for the discussion. Guitar music develops in such a way that the canon can be updated every 5 years. And what about the inevitable (and interesting) polemic. The choice of the following 50 Frames will inspire a heated debate in the guitar scene and that’s where we are looking for, so hope you do not feel shy to be part of that discussion. Come and join!
Mission Guitar Canon
Gitaarsalon and Brava developed Guitar Canon to start a debate to highlight the classical repertoire for guitar solo at both active and passive lover of this particular instrument. In that way, the current version is just a prototype to kick-of this project. A dynamic top 50 of the repertoire written for solo guitar in classical music.
Guitar Canon will derive its dynamic from the input of professional guitarists, amateur guitarists, stages and passive lovers. An active discussion at international level which will give an annual vote as to which piece and/or performer will lose his or her place for a newcomer of allure. The aim is in addition to the discussion also a better contact between and respect for performer and audience. Do they use the same criteria or walk the interests further and further apart. Guitar Canon aims a brotherhood in which the synergy will prove the added value of this project.
Through the discussion, of course ‘at the table’, but according this project especially on Facebook, we strive for a leading role for Guitar Canon that as a reference point should be apply to concerts, competitions and educational trainees.
By stimulating the communication on Facebook it will become much more easy to exchange new footage or make notice of a newcomer. Also Guitar festivals will participate in our mission in organizing symposiums and master classes according the Guitar Canon.